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NEWS

SEPTEMBER 9-18, 2016

Save the date: the 13th Jameson CineFest will be held then in 2016. Hungary's leading international film festival is waiting you with the best films of the year, exclusive premieres, film historical programs, concerts and parties.

HERE COMES THE COMPLETE Long feature, SHORT FEATURE AND ANIMATION COMPETITION PROGRAM

This year's competition program at the Jameson CineFest is great - again: carefully selected works by Oscar nominees, Cannes and Berlinale hits and young talents will make it to the big screen from 9 September in Miskolc. For more details click here.

JULIETTE BINOCHE IN MISKOLC

The star of the opening ceremony of Hungary`s leading IFF, the 13th Jameson CineFest will be Juliette Binoche. The festival starts with the screening of the masterpiece Three Colors: Blue on the 9th of September. The great French actress will receive a special award and the festival is going to remember the director of the film, Krzysztof Kieslowski, who passed away 20 years ago.


THAI AND HUNGARIAN MASTERS

Hungarian film is represented by Szabolcs Hajdu’s This Is Not the Time of My Life, but there is a Hungarian co-production as well, Anca Miruna Lazarescu’s That Trip We Took with Dad. nThe most innovative piece in the competition program is undoubtedly the Motel Mist by the Thai writer genius, Prada Yoon. Yoon will be present at the Festival to introduce his film. There are also two artful science fictions, the Native and the Equals, the later one, by Drake Doremus, being a special Orwell adaptation, parallel in many ways to George Lucas’ THX 1138 that is also screened at the Jameson CineFest.

OPEN EYE: FROM TANOVIC TO VERHOEVEN

The Open Eye section is stronger than ever with films like the Death in Sarajevo by the Bosnian director, Danis Tanovic, the witty romance Love&Friendship by Whit Stillman, or Paul Verhoeven’s absurd thriller, also the closing film of the Festival, Elle that can be understood as the sequel to Basic Instinct. Hungarian films have also made it to the Open Eye selection: the screenwriter István Tasnádi’s directorial debut Memo, and an American co-production The Boy on the Train starring Barnabás Tóth and Tibor Szervét.

MIDNIGHT SCREENINGS

The festival’s new special program, Midnight Screenings brings us old and new horrors to watch: from the digitally re-mastered Wes Craven classic A Nightmare on Elm Street to the Cannes debut Train to Busan that is the most expensive South-Korean super production of all time.


MUSIC DOCS: ZAPPA AND KLEZMER

Another new program is the MusicDocs selection, bringing us a genius documentary on Frank Zappa by Throsten Schütte, an IDFA hit When The Earth Seems To Be Light and Csaba Bereczki’s Soul Exodus that talks honestly and deeply about klezmer musicians form New York.


IN MEMORIAM KIESLOWSKI

In the CineClassics program of the Jameson CineFest, screening classics and rarities under the patronage of István Szabó since 2010, we will screen Krzysztof Kieslowski’s last works: The Three Color: Blue is screened on the 9th, while White will be show non the 10th and Red on the 11th. The Three Colors trilogy (1993-1994) is unique in the film history and has won 40 prizes at the most prestigious festivals of the world. The Three Colors: Blue premiered in Venice, the White in Berlin while the Red in Cannes. One Golden Lion, several Césars, a Silver Bear, the Independent Spirit Award, four Golden Globe and three Oscar nominations (Best Director among them) show that this unmatched attempt triggered unmatched response. The beautiful pictures and puzzling stories raise serious questions. What do we think of the basic values of modern Europe, like freedom, equality and fraternity? The entwined motifs of the three films tempt us to analyze them for long. After twenty years, the audience of the CineClassics has a chance to watch, explore and evaluate again a great director’s testament. Kieslowski raises only questions about Europe, our values and goals, but it seems like these questions are more relevant than ever – according to Juliette Binoche as well. The program is kindly supported by the Budapest French Institute and the Polish Institute.

HUNGARY`S NUMBER ONE FILM FESTIVAL

Miskolc has become a meeting point for the rising starts and well-established professionals of the film industry. We are proud to say that Kevin Macdonald (the Academy Award winner grandson of the legendary British director-writer Emeric Pressburger who was born in Miskolc), the Polish cinematographer Sɬawomir Idziak, the legendary director Agnieszka Holland, Claudia Cardinale, the Iranian visual artist Shirin Neshat, the Finnish provocateur Timo Vuorensola, Gaspar Noé have all been our guests. Blue is the Warmest Color, Boyhood, Whiplash and Love 3D have made their Hungarian premieres in this section, to name only a few from the extremely rich selection. The show must go on - this year we continue with the best films of the year and the freshest stars of the industry - join us from 9 September!

SILS MARIA

While Juliette Binoche is in Budapest, Budapesti Francia Intézet will screen Sils of Maria by Olivier Assayas. In official competition during 2014 Cannes Film Festival, she stars an actress at the peak of her international carrier who is asked to perform in a revival of the play that made her famous 20 years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant (Kristen Stewart) to rehearse in Sils Maria… In English with Hungarian subtitles, Budapest Francia Intézet (Budapest, Fő u. 17, 1011), Thursday 13th of September, 6.30 PM, free entrance.

ALTER NATIVE FESTIVAL IN ROMANIA

The partner festival of Jameson CineFest, the Tirgu Mures (Romania) based Alter-Native International Short Film Festival is one of the oldest and best film festivals of Central Europe with specific goal of supporting and promoting cinematography and fresh filmmaking talent. The program supports individual alternatives to the mass products of the media market, presenting various less-known styles and unique viewpoints, discovering independent self-expressions in film. Deadline for submissions is September 15th, 2016, details here.

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