THE AWARDS OF THE 13TH CINEFEST HUNGARY
On Saturday, the 17th of September, Miskolc International Film Festival closed, the prizes and awards of the festival has been given to the winners. After the closing ceremony the screening of Paul Verhoeven’s Elle closed the Jameson CineFest, Hungary's leading film event. The Main Prize of the festival, the Emeric Pressburger Prize was given to Matthew NEWTON’s From Nowhere, while the Grand Pix, the Adolf Zukor Prize went to the Danish Martin ZANDVLIET for his film Land of Mine. Szabolcs Hajdu received the Audience Award for his newest film, It’s Not the Time of My Life, while the Lifetime Achievement Award went to the legendary Hungarian helmer Károly Makk (pictured). At the the Miskolc International Film Festival Hungarian and Central European premieres and exciting professional programs were offered, several well-known Hungarian and international filmmaker accompanied their films to the festival. The first day of the event was of great interest: at the opening ceremony Juliette Binoche was awarded with the newly founded Europe Award. The CineClassics screening of Kieslowski's Trois couleus trilogy was a huge success. The unwinking attention of the professionals and the love of the audience accompanied the whole event. The full list is here.
The first EuropE AWARD winner of the festival: juliette binoche
After a long round of applause Juliette Binoche was given the newly founded Europe Award of the festival. As festival dirctor Tibor Bíró pointed out: “For the last 12 years the goal of the festival was to bring the freshest and most valuable films of the world to Hungary and for 10 days make Miskolc the film capital of Hungary.” In her speech MP Katalin Csöbör expressed her gratitude toward the founders, organizers and staff of the Jameson CineFest for their devoted work. Ákos Kriza, the mayor of Miskolc emphasized in his welcome speech that the Jameson CineFest enchants the viewers form year to year “Not only by organizing a festival that is able to renew itself, that is recognized in the industry but also because more and more starts attend the event.” As Péter Muszatics film historian, the curator of the CineClassic series said in his laudation: “Juliette Binoche is the only actress who was given the prize of Best Actress in Venice, Berlin and Cannes as well. She is a great and unique actress, a true European star: role model and point of alignment for millions.”
Boy on the train: EUROPEAN PREMIERE
Roger Deutsch, American independent filmmaker accompanied his movie Boy on the Train shot in Hungary to the Jameson CineFest. The film’s European premiere was held in the Open Eye section of the festival. Barnabás Tóth, the Hungarian actor in the leading role of the film was present at the premiere. The Boy on the Train starts with a home video from 1991 shot by Roger Deutsch when travelling on the Úttörő (pioneer) train. He has already used this shot in four of his films. It is a common approach for Mr. Deutsch to base fictional stories on real life shots by giving new personalities to his characters. The Boy on the Train is a self-critical film, putting the thics of documentary filmmaking into focus.
LIVELY Q&A AFTER the hungarian premiere of A Slovenian film
The Jameson CineFest welcomed the Slovenian director Damjan Kozole accompanying his movie Nightlife. This year in Karlovy Vary Kozole was awarded Best Director with this film. Nightlife is based on true story. It is a unique interpretation of a murder that grabbed the attention of the media and the whole country. By picturing the self sacrifice of the main character, the director wanted to draw attention to the cruel attack and the brutal media as well. After the screening a very lively and interesting Q&A session was held.
Sándor sára remebering zoltán latinovits
The Jameson CineFest commemorated the great actor Zoltán Latinovits by the screening the Hungarian classical film Szindbád and with an exhibition. After the screening cinematographer Sándor Sára shared his memories on the shooting and about the legendary artist who died 40 years ago with the audience. To watch the talk click here.
Károly Makk masterclass, dvd and HANGOSFILM.HU PRESENTations
The 90 years old Károly Makk held a great masterclass. After the screening of the film Szerelem (Love) and Hungarian Film Archive`s DVD presentation film critic György Báron interviewed the legendary filmmaker (click here to watch the video). The other program of the CineClassics, the presentation on the hangsofilm.hu operated by Márton Kurucz and his colleagues can be watch here.
Szabolcs Hajdu’s new film, It’s Not the Time of My Life, was an especially great success in Miskolc. On the film's Hungarian premiere the director emphasized that, even though the film shot in their own apartment seems to be a true story, it is a piece of fiction bringing up problems and situations coming from his and his friends’ lives. The It’s Not the Time of My Life got the greatest round of applause ever and ended up with getting the Audience Award.
HERE COMES THE COMPLETE Long feature, SHORT FEATURE AND ANIMATION COMPETITION PROGRAM
This year's competition program at the Jameson CineFest is great - again: carefully selected works by Oscar nominees, Cannes and Berlinale hits and young talents will make it to the big screen from 9 September in Miskolc. For more details click here.
The star of the opening ceremony of Hungary`s leading IFF, the 13th Jameson CineFest will be Juliette Binoche. The festival starts with the screening of the masterpiece Three Colors: Blue on the 9th of September. The great French actress will receive a special award and the festival is going to remember the director of the film, Krzysztof Kieslowski, who passed away 20 years ago.
THAI AND HUNGARIAN MASTERS
Hungarian film is represented by Szabolcs Hajdu’s This Is Not the Time of My Life, but there is a Hungarian co-production as well, Anca Miruna Lazarescu’s That Trip We Took with Dad. nThe most innovative piece in the competition program is undoubtedly the Motel Mist by the Thai writer genius, Prada Yoon. Yoon will be present at the Festival to introduce his film. There are also two artful science fictions, the Native and the Equals, the later one, by Drake Doremus, being a special Orwell adaptation, parallel in many ways to George Lucas’ THX 1138 that is also screened at the Jameson CineFest.
The Open Eye section is stronger than ever with films like the Death in Sarajevo by the Bosnian director, Danis Tanovic, the witty romance Love&Friendship by Whit Stillman, or Paul Verhoeven’s absurd thriller, also the closing film of the Festival, Elle that can be understood as the sequel to Basic Instinct. Hungarian films have also made it to the Open Eye selection: the screenwriter István Tasnádi’s directorial debut Memo, and an American co-production The Boy on the Train starring Barnabás Tóth and Tibor Szervét.
Károly Makk is one of the most prominent figures of Hungarian cinema. His long career can only be described in superlatives: he made – as his first film – one of the best Hungarian comedies, Liliomfi (1954) and, simply, some of the best Hungarian films ever. The takes and faces of The House Under the Rocks (1958), The Obsessed Ones (1961), The Paradise Lost (1962), Love (1971), A Very Moral Night (1977) or Another Way (1982) present dozens of destines and stories, events of the Hungarian past and present: real personal stories and histories. The 1955 Cannes world premiere of Liliomfi and the screening of the re-mastered Love in 2016, in Cannes Classics program frame a great international career, the Prix du Jury for the Love (1971), the Academy Award nomination for Cats’ Play (1972). The details here.
The festival introduces a new competition program this year: CineNewWave program focuses on young Hungarian talents, offering the joy of discovery and meeting the filmmakers. Since its first year the festival has put an emphasis on finding new voices, discovering new talents and addressing young cinema lovers. The program brings multiple prize winners and completely new discoveries as well. Among the 17 competitors we find two animations invited to Cannes this year (Réka Bucsi’s LOVE and Luca Tóth’s Superbia), student Oscar nominee Beautiful Figure, Hajni Kis’ graduation film, and the Hungarian Film Award winner in short feature, The Sound of Concrete by István Kovács. The CineNeWave program welcomes the audience with the best Hungarian short features and animations in Miskolc. For a detailed program click here.
The festival’s new special program, Midnight Screenings brings us old and new horrors to watch: from the digitally re-mastered Wes Craven classic A Nightmare on Elm Street to the Cannes debut Train to Busan that is the most expensive South-Korean super production of all time.
Another new program is the MusicDocs selection, bringing us a genius documentary on Frank Zappa by Throsten Schütte, an IDFA hit When The Earth Seems To Be Light and Csaba Bereczki’s Soul Exodus that talks honestly and deeply about klezmer musicians form New York.
IN MEMORIAM KIESLOWSKI
In the CineClassics program of the Jameson CineFest, screening classics and rarities under the patronage of István Szabó since 2010, we will screen Krzysztof Kieslowski’s last works: The Three Color: Blue is screened on the 9th, while White will be show non the 10th and Red on the 11th. The Three Colors trilogy (1993-1994) is unique in the film history and has won 40 prizes at the most prestigious festivals of the world. The Three Colors: Blue premiered in Venice, the White in Berlin while the Red in Cannes. One Golden Lion, several Césars, a Silver Bear, the Independent Spirit Award, four Golden Globe and three Oscar nominations (Best Director among them) show that this unmatched attempt triggered unmatched response. The beautiful pictures and puzzling stories raise serious questions. What do we think of the basic values of modern Europe, like freedom, equality and fraternity? The entwined motifs of the three films tempt us to analyze them for long. After twenty years, the audience of the CineClassics has a chance to watch, explore and evaluate again a great director’s testament. Kieslowski raises only questions about Europe, our values and goals, but it seems like these questions are more relevant than ever – according to Juliette Binoche as well. The program is kindly supported by the Budapest French Institute and the Polish Institute.
HUNGARY`S NUMBER ONE FILM FESTIVAL
Miskolc has become a meeting point for the rising starts and well-established professionals of the film industry. We are proud to say that Kevin Macdonald (the Academy Award winner grandson of the legendary British director-writer Emeric Pressburger who was born in Miskolc), the Polish cinematographer Sɬawomir Idziak, the legendary director Agnieszka Holland, Claudia Cardinale, the Iranian visual artist Shirin Neshat, the Finnish provocateur Timo Vuorensola, Gaspar Noé have all been our guests. Blue is the Warmest Color, Boyhood, Whiplash and Love 3D have made their Hungarian premieres in this section, to name only a few from the extremely rich selection. The show must go on - this year we continue with the best films of the year and the freshest stars of the industry - join us from 9 September!
While Juliette Binoche is in Budapest, Budapesti Francia Intézet will screen Sils of Maria by Olivier Assayas. In official competition during 2014 Cannes Film Festival, she stars an actress at the peak of her international carrier who is asked to perform in a revival of the play that made her famous 20 years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant (Kristen Stewart) to rehearse in Sils Maria… In English with Hungarian subtitles, Budapest Francia Intézet (Budapest, Fő u. 17, 1011), Thursday 13th of September, 6.30 PM, free entrance.
The partner festival of Jameson CineFest, the Tirgu Mures (Romania) based Alter-Native International Short Film Festival is one of the oldest and best film festivals of Central Europe with specific goal of supporting and promoting cinematography and fresh filmmaking talent. The program supports individual alternatives to the mass products of the media market, presenting various less-known styles and unique viewpoints, discovering independent self-expressions in film. Deadline for submissions is September 15th, 2016, details here.